4 Critical Logo Design Details You May Be Forgetting About

From LogoDesignerBlog.com

You probably have a check list, at least in your mind, of what goes into making a good logo design. You may know how to design a logo and you’ve probably studied some of the greats however are you forgetting these four critical factors when you design your logos?

Goldfish

Below are 4 logo design tips for areas that are often overlooked in logo design:

  • Ownership marks
  • Anchor point clean up
  • Colour functionality
  • The correct files

Does the logo need an ownership mark?

Especially if you’re doing a logo for a product or service that belongs to a particular brand, they may require you to put some kind of mark on it indicating its ownership: a registered mark ®, a trademark ™ or a service mark ?. On that note you may want to read up on copyright issues in logo design.

logo-tm

If the logo you are creating requires one of these, work it into the design as the Multimediums example above, don’t just tack it on at the end. First you have to decide if you want to use the same font as you have for the rest of the logo or would a more plain sans serif be better?

Then kern the mark close to the other text or the image in the logo. Baseline adjust it so that it looks like it belongs in the design. You may even consider knocking it out of a solid color area of the logo, like in the Weaver logo above.

What does the logo look like larger?

You know that you have to make sure the logo will work at smaller sizes, but have you considered that your logo might need to be blown up to fit on a billboard or tradeshow exhibit someday? Creating professional logos isn’t just about how good it looks, it’s also about how functional it is technically.

logo-paths

Zoom in as close as you can and check to make sure there’s no funny stuff going on with anchor points or handles (divots, extraneous points and the like). You may not notice these details when it’s small, but blow the logo up and they’ll be the first things your eye is drawn to.

Will the chosen colors work?

Sometimes the client will tell you what the corporate colors are, but if you get to decide, choose colors that will match a variety of applications. Some colors are too neutral in their value (yes, value, not hue) and either don’t stand out very well or don’t match well with most other colors.

logo-pms300

PMS300, for example, is an often used color for logos, but I will tell you from personal experience that it is a very difficult color to work with and I end up using the pure black or knockout (white) version of the logo instead! You have to consider how colors work for more applications than just the stationary system you may create to go with the delivery of the logo.

Do you have four high quality files ready to give the client?

Deliver high quality files to your clients includes taking into account all the ways the logo might be used. Create a spot color-based file, a pure CMYK (i.e. no spot colors!) file, a pure black and a pure white (knockout) file. That’s four files total that you should deliver to a client every time. You can tell if you’re using a spot (aka Pantone or PMS) color, a spot color converted to a process (CMYK) color or a pure process color by looking at the Color Swatches palette.

logo-swatches

Clean up these files, too. Go into the Color Swatches palette and delete any extra color, gradient or pattern swatches that weren’t used in the actual logo. You can also delete extra brushes and graphic styles to further clean up the file.

You may want to add this to your check list of what makes a good logo:

  • How is the ownership mark incorporated?
  • Does the logo reduce and enlarge as expected?
  • Will the chosen colors work in most contexts?
  • Do the files have the technical flexibility for any possible use?
Author: Lauren Marie

Bio: Lauren Marie runs Creative Curio, a website focused on learning, discussing and exploring the realm of graphic design. Lauren is an in-house designer in corporate America and a self-diagnosed Twitter addict. Follow her @creativecurio.

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Do Radial Gradients Have to Be Circular?

Layers magazine Tip of the Day
Finally, in CS4, the answer is no! Select an object, and apply a Radial Gradient Swatch from the Swatches panel. Then open the Gradient panel (Window>Gradient) and in the first field on the right, enter a number that's less than or greater than 100%. Doing this changes the ratio of the height of the radial Gradient as compared to the width. In other words, the Gradient is no longer circular, it's elliptical. If you enter a number of degrees other than 0 in the Angle field to the left, the elliptical Gradient will rotate. Wow! An easy way to create a rotated elliptical gradient, something that's been on my Illustrator wish list since Gradients were first introduced in Illustrator 5.

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Brand New: Miracle Whips new logo

Whipping a Classic Miracle: What do you think? (Full Article Here)



Miracle Whip, the zingy alternative to mayo, has apparently seen better days in terms of mayo-alternative ubiquity and has re-entered the market positioning itself to the 18-to-34-year-old demographic. Which typically means some sort of social application, in their case Zingr, but that’s the least interesting part of this. The new label and logo are remarkably Old School, reversing the order of Before/Afters in consumer packaging by ditching the swirls and overly friendly and loopy typography for an almost disarming simplicity. Apparently all the thrift shopping of vintage stuff by the 18- and 34-year-olds has finally paid off and that oldish look can feel new again. Fingers crossed, this will be the first of many consumer brands to revert back from the crazy scripts and wild backgrounds.

By Armin on Jun.02.2009 in Consumer Products

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How Designers Promote & Brand Themselves

Self promotion is what it is all about....Here is a collection of many examples
Check out all 7 pages....Links are all on this page

by Graham Smith of imjustcreative.com

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Best Ad: Evolution of Logos

This is from the "Best Ad" blog.
I am glad they put this together....





Follow this link.

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Thumbnails make a difference!

The Role of Sketching in the Design Process

Great article by Sean Hodge

As a tool or skill, sketching has its role in the design process. That role will vary depending on the end-product being created, the size and scope of the project, the individual designer's style, experience, and workflow, and the client's expectations. Find out more about how sketching is used in the design process within multiple design disciplines.

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Adobe InDesign CS4 Tip

My Client Dislikes Ligatures

Most artists, who love typography, love InDesign. Why? The ability to format beautiful type more quickly and more easily than ever. The automatic insertion of Ligatures for certain letter combinations such as ff, fi, ffi, ffl and more (depending upon the typeface), are an obvious part of that beautiful type formatting. These letter combinations, which can suffer from awful character spacing are replaced by specially designed alternate Glyphs called Ligatures to solve these spacing problems beautifully. While looking over a proof of an ad, one of my clients asked, “Where's the dot over the letter ‘i' in the word ‘figure,' and why is the ‘f' connecting to that ‘l' in the word ‘flab'? I like my type to look like the letters I'm used to.” “Barbarian,” I thought. I tried explaining the beauty of Ligatures to no avail. So I had to get rid of them. I selected, all of the text, and unchecked ‘Ligatures' under the Options menu of the Character panel.

Tip provided by Jeff Witchel, Adobe® Certified Training Provider. AdobeAce@comcast.net

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